This book provides a theory of the dramatic origin of the older Eddic poems. Whilst the Eddic collection in general can be seen to contain a variety of unrelated elements, there is an essential unity to the older poems on native subjects. This can be seen in their special metre, their dialogic or monologic form, bearing traces of improvisation by one or more speakers, their stage directions, their stock scenes, their taste for disguised or theriomorphic characters, and their fixed traditional plots. In analysing this unity, the text brings forth observations on the relationship between the poems and the socio-cultural context in which they were written. This is a highly informative volume that will be of value to anyone with an interest in Old Norse literature and literary criticism.

Part of the PREFACE: This book was begun in the spring of 1914, and only two chapters were unwritten in March 1916. In adding these two chapters in 1920 I have endeavoured to bring the rest of the book up to date, but the occupations of the intervening years left little time to keep abreast of the advances of scholarship, and the endeavour has not been wholly successful. My task has not been lightened by the loss of a note-book and some pages of the MS. through causes connected with the war, and I am conscious that there is much to apologise for. But it seemed better to publish the book as it is, with all its imperfections, than to wait for the uncertain hour when I could attempt an elaborate revision and expansion. My aim is simply to place before scholars a theory of the dramatic origin of the older Eddie poems. I shall be satisfied if I have made clear the grounds which have forced me to formulate the theory: should there be any truth in it, others, better fitted than I, will work it out in all its many bearings on history, religion and literature.