Table of contents: I. Tintoretto and the Venetian Culture and Religious Environment Paul Hills, Tintoretto and Venetian Gothic ? Augusto Gentili, Tintoretto in contesto tra politica e religione Benjamin Paul, Archaism and Pauline Spirituality in Jacopo Tintoretto?s Crucifixion for SS. Cosma e Damiano ? Tom Nichols, False Gods: Tintoretto?s Mythologies as Anti-poesie ? Bernard Aikema, La casta Susanna II. Tintoretto and the Art of his Time Philip Cottrell, Painters in Practice: Tintoretto, Bassano and the Studio of Bonifacio de? Pitati ? Roland Krischel, Jacopo Tintoretto and Giulio Romano ? Miguel Falomir, Tintoretto y Tiziano ? David Rosand, Tintoretto and Veronese: Style, Personality, Class ? Jose Alvarez Lopera, Sobre Tintoretto y el Greco ? Stefania Mason, Domenico Tintoretto e l?eredita della bottega III. Connoisseurship Robert Echols and Frederick Ilchman, Toward a New Tintoretto Catalogue, with a Checklist of Revised Attributions and a New Chronology IV. Technique and Conservation Erasmus Weddigen, The Works of Tintoretto: Sewn, Designed, Patched and Cut. The Uncertainty of Canvas Measurements ? Ana Gonzalez Mozo, El concepto de dibujo en Jacopo Tintoretto: analisis de los recursos tecnicos utilizados en algunos cuadros del Museo Nacional del Prado ? Robert Wald, Tintoretto?s Vienna Susannah and the Elders. History, Technique and Restoration V. Theory and Collecting Maria H. Loh, Huomini della nostra eta. Tintoretto?s Preposterous Modernity ? Almuneda Perez de Tuleda, Coleccionismo de Tintoretto en Espana en torno a 1600 ? Linda Borean, Jacopo Tintoretto nelle collezioni veneziane del Sei e Settecento ? Leticia de Frutos, Tintoretto en las colecciones del marques del Carpio y del Almirante de Castilla. Languages : English.