In A Choreographer 's Score . And Atendant & Cesena , the Belgian choreographer Anne Teresa De Keersmaeker conversations with performancetheoretica and musicologist Bojana Cvejic and she highlights the choreographic principles behind her last two major works , and Atendant and Cesena , who explore the world of Ars Subtilior . The creation of these two productions took place at the Festival d' Avignon , in the historical context of the Cloitre des Celestins and Palais des Papes , both of which date from the 14th century. After the international success of the first Carnets d' une choregraphe , which appeared in 2012 and in the same format of the first four works by Anne Teresa De Keersmaeker suggested - Phase Rosas dances Rosas , Elena's Aria and Bartok - grabbing De Keersmaeker and Cvejic on and this formula back for Atendant and Cesena , two productions provided by an outstanding ensemble of dancers and musicians . The publication contains not only a book of conversations that are illustrated with numerous drawings , photographs and documents related to the production , but also three DVDs which demonstrations can be seen from the choreography of Anne Teresa De Keersmaeker , alongside excerpts from performances and documentary documents which it explains itself begins to dance . Visual artist Michel Francois brings us his personal vision of the choreography in a sumptuous photo album that also belongs to this box . This book and the three accompanying DVDs places two works in the spotlight : - And Atendant - Cesena Each chapter includes a discussion illustrated with numerous drawings , diagrams , photos and documents related to the production . This box contains a book with interviews in French , 3 DVDs in English with Dutch and French subtitles , and an album of photographs of the productions . The DVD 's are the interviews with Anne Teresa De Keersmaeker and long extracts from the two works .