Includes bibliographical references (p. 213-234) and index. Contents : Printing like a post-colonialist: the Irish piracy of Sir Charles Grandison -- Ossian's embrace: Johnson, Macpherson, and the public domain -- Nation engendered: Catharine Macaulay's remarkable moving letter and the history of England -- Libels of empire: Mary Prince and British slavery. - Kathryn Temple argues that eighteenth-century Grub Street scandals involving print piracy, forgery, and copyright violation played a crucial role in the formation of British identity. Britain's expanding print culture demanded new ways of thinking about business and art. In this environment, print scandals functioned as sites where national identity could be contested even as it was being formed.Temple draws upon cases involving Samuel Richardson, Samuel Johnson, Catharine Macaulay, and Mary Prince. The public uproar around these controversies crossed class, gender, and regional boundaries, reaching the Celtic periphery and the colonies. Both print and spectacle, both high and low, these scandals raised important points of law, but also drew on images of criminality and sexuality made familiar in the theater, satirical prints, broadsides, even in wax museums. Like print culture itself, the scandal of print disputes constituted the nation-and resistance to its formation. Print transgression destabilized both the print industry and efforts to form national identity. Temple concludes that these scandals represent print's escape from Britain's strenuous efforts to enlist it in the service of nation.