Flaptekst

Have human-like faces been discovered in the images taken by the James Webb telescope?


In 2007, TD McRoy, a diligent researcher from the Dimensional Anthropology Museum, developed a program known as Iroquois Technology. The program's purported purpose was to unveil hidden particles interwoven within the raw film footage. Intriguingly, these particles consistently manifested in human and animal-like forms. Remarkably, the human-like figures were almost always geographically accurate. Despite its scientific roots, TD regarded the program merely as a prop. The images extracted by Iroquois Technology were undeniably astonishing yet ultimately devoid of any scientific value or tangible significance.


Over a transformative span of sixteen years, the program meticulously unearthed some of the most captivating figures, including dinosaurs and a small collection of different cultures of early humanity that had never been recorded in history. However, it wasn't until the images from the James Webb Space Telescope (JWST) began to surface that TD decided to employ Iroquois Technology to analyze the photos. With no expectations of meaningful results, he was profoundly shaken by the first discovery made by the program, a white-haired, bearded figure that graces the cover of this book.


TD had always dismissed Iroquois Technology as a mere scientific tool capable of locating figures of humans and animals. But what he uncovered in the JWST images unveiled powerful-looking entities seemingly woven into the cosmic tapestry.


His blood ran cold as the program appeared to reveal a conglomerate of ancient cultures, a revelation that shook TD to his core. Caught utterly unprepared, these revelations were so profound that he immediately dismantled the program upon completing this book. If you were to ask TD which figure sealed the program's fate, he would undoubtedly point to the man in the tunic (chit¿n) garment among the twenty-four discovered images featured in this book. Should these images ever be authenticated as genuine, further probing by Iroquois Technology would be deemed inappropriate, far exceeding the Dimensional Anthropology Museum's guidelines for exploration.


TD is firmly convinced that in the relentless pursuit of knowledge and discovery, there are moments when research can venture too close to the precipice. In this instance, what Iroquois Technology might have unveiled seems to teeter on the brink. Whether the images from the JWST are authentic or products of imagination, the discovery alone was sufficient to compel TD to eradicate his sixteen-year-old program from existence forever.


It appears to encroach upon the realm of religious possibilities of monumental proportions. The decision to dismantle the program was not made lightly; TD believed that whatever lies beyond our current understanding of the cosmos should remain a mystery. It falls upon all of us to ensure that this realm of wonder remains untarnished if, indeed, these revelations are glimpses of what lies within the 95% of outer space that we have yet to explore fully.


This book may delve into another facet of the unknown corners of the cosmos and is not recommended for those who are easily daunted. It is advisable to proceed with caution, as it may challenge your existing understanding of the world around you. While the legal age of consent is typically 18 in most countries, this book presents evidence that has never been assessed in the context of human interaction. Therefore, we suggest that readers approach this material with a mature mindset and be of the age of 21 or older. This suggestion remains until we can analyze any emotional responses from our readers based on reviews. Our hope is that readers will find entertainment in this discovery and regard the images as such.