Summary Museums created by artists and/or collectors are a favorite destination of museum lovers and raise important issues in connection with the history and evolution of art museums at large. They have developed in a critical relation to large, collective or 'encyclopaedic' museums, defending a primacy of experience and intimacy. And they remain attached to the persons of their founders, functioning as monuments and even mausoleums. Yet despite their appeal, a recent surge of new creations and a wealth of monographic documentation, no general study of the topic has been attempted. The Museum as Experience describes and analyses the phenomenon as a whole, from its beginnings around 1800 to the present and from its European origin to a worldwide extension. It examines in depth fifteen case studies distributed across the globe and chosen for their representative character and the quality of their original arrangement. In order to do justice to their meaningful relation to the spatial context and to their hospitality towards the subjective visitor, the book is written as a travelogue and organizes a dialogue between two narrators, an architect and an art historian. Richly illustrated with many unpublished documents, it is a scholarly work that can be read like a novel. It argues that artists' and collectors' museums are best understood as 'author museums' and make it possible to enjoy and study display as a mode of expression and communication, an art of assemblage and installation avant la lettre, and a challenge for interpretation. TABLE OF CONTENTS Foreword Chapter One. Villa Vela - Museo Vincenzo Vella, Ligornetto Chapter Two. "The Great Body of Art" - Gypsotheca e Museo Antonio Canova, POssagno Chapter Three. Magic Mirrors - Sir John Soane's Museum, London Chapter Four. "My Painting Collection" - Sammlung Shack, Munich Chapter Five. "Shut Away in the Middle of Paris" - Mus e National Gustave-Moreau, Paris Chapter Six. "It is My Pleasure" - Isabella Stewart Gardner Museum, Boston Chapter Seven. Learning to See - The Barnes Foundation, Philadelphia Chapter Eight. "The Period I Loved Above All Others" - Mus e Nissim de Camondo, Paris Chapter Nine. Archaeological Eruption - Museo Diego Rivera Anahuacalli, Mexico Chapter Ten. A Shared Heritage - Noguchi Museum Long Island City Isamu Noguchi Garden Japan, Mure Museum of Jurassic Technology, Culver City Chapter Eleven. Regere Fines - The Chinati Foundation, Marfa Judd Foundation, Marfa Chapter Twelve. Antipodes - Casa Museo Mario Praz, Rome Museum of Old and New Art, Hobart Chapter Thirteen. The Innocence of Museums - Masumiyet M zesi [Museum of Innocence], Istanbul List of Illustrations Index