* Provides first--hand understanding of two centuries of literary culture. * Gives representation to all kinds of writing that is of a literarya interest. * Offers a transgression of the a great dividea of medieval and Renaissance, and ignores conventional periodization. .

In this key anthology Derek Pearsall offers a radically new approach to those teaching and studying English writing from Geoffrey Chaucer to the early work of Edmund Spenser. Ignoring the traditional barrier between medieval, or Middle English, and Tudor, Elizabethan or "early modern" writing, he sets out to emphasize continuities and so counter the distorting view that "English literature" begins with Thomas Wyatt and the Earl of Surrey.
Extensive coverage is given to key figures such as Chaucer and Langland, but this is not an anthology of English literature, but of writing. All forms of discursive writing - literary, political, legal, personal, polemic, spiritual, practical - are represented in an attempt to demonstrate the close mesh between writing, of all kinds, and the political, social and cultural practice of the time. The assumption of the collection is that written texts, though they may be analyzed from many points of view, including some that are legitimately ahistorical, are never better understood than when studied in their historical context.
All texts are newly edited from the best sources and presented in their original spelling (apart from the substitution of obsolete letter-forms). On-the-page glossaries throughout give help with harder words. Headnotes and explanatory notes are provided for each text.

In this key anthology Derek Pearsall offers a radically new approach to those teaching and studying English writing from Geoffrey Chaucer to the early work of Edmund Spenser.