"The word 'masterpiece' should be used rarely if at all. But it applies to Charles Rosen's The Classical Style. This is more than a superbly penetrating, closely argued analysis of Haydn, Mozart, and Beethoven. It is a piece of 'active criticism' which only a very distinguished performer could have achieved. Rosen carries over into English prose those strengths of clarity, scruple, and excitement which he brings to his playing. Simply by itself, this book sets new standards for the application of language to music."-George Steiner. "A book for which both musicians and music-lovers should be grateful."- Edward T. Cone. "[Rosen] never loses sight of the organic nature of the music he discusses; in other words he seems nearly always to find the dynamic function of each element, whether it be thematic, rhythmic, harmonic, or tonal. Such writing is rare, and to be cheered to the echo when it is found...Rosen's [ears] are very acute indeed, and he is able to savor the essential concentration of thought in a mature Haydn quartet or the subtleties of exquisitely timed disguised recapitulations in Mozart's operas, and express himself about them in language of fine clarity....One of the best books of its kind to have appeared since Tovey." - Robert Simpson. Introduction. The classical style. Haydn from 1770 to the death of Mozart. Serious opera. Mozart. Haydn after the death of Mozart. Beethoven.