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Raynes , John . [ isbn 9781555216092 ] 2921 - Figure Drawing and Anatomy for the Artist . ( This is a substantial and very well presented hardback book written and illustrated by a well respected and experienced artist who has authored many useful guides and instructional books over the y...

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Afbeelding: Raynes , John . [  isbn 9781555216092 ] 2921 - Figure Drawing and Anatomy for the Artist . ( This is a substantial and very well presented hardback book written and illustrated by a well respected and experienced artist who has authored many useful guides and instructional books over the y...
Schrijver: Raynes , John . [ isbn 9781555216092 ] 2921
Titel: Figure Drawing and Anatomy for the Artist . ( This is a substantial and very well presented hardback book written and illustrated by a well respected and experienced artist who has authored many useful guides and instructional books over the y...
ISBN: 9781555216092
Uitgever: Chartwell Books .
Bijzonderheid: Gebonden met harde kaft en in bijna als nieuwe staat - 2921 - 1e dr 1990 - 256 p - 1300 gr - 23x30,4 cm
Prijs: € 30,00
Meer info - This one, however, is probably (no, certainly) not for the complete beginner; indeed, I would suggest that it requires a pretty fair level of experience to really appreciate and benefit from it`s contents.
It is NOT a how-to book with “demonstrations” or prescriptive instructions.
The book is copiously illustrated throughout with black and white drawings and a few photographs; the bulk of the drawings are by John Raynes himself, with some provided by Polly Reynes (who uses a delicate and quite exquisite technique) and a few great master drawings as comparative reference.
The first third or so of the book is taken up by anatomical drawings of the bones, skeleton and musculature – all beautifully rendered – and accompanied by a descriptive text.
The remainder of the book covers those aspects of the figure in the life room the student is much more likely to encounter through a series of drawing projects which consider things like weight, balance, structure, dynamics, light and shade, clothing, movement etc.; it is quite a comprehensive list and again, very well illustrated in a variety of media.
I would suggest that the book will be of most use to the practising artist who has access to a life class or can employ a model; it is certainly filled with useful advice and information – as a professional artist myself, I know a lot of this, but it is useful to go over it again – one can always learn (and re-learn) from a well-laid out and clearly explained volume such as this.
There is a lot to digest, but the projects are presented in bite-sized chunks; the anatomical section looks very technical (and it is) - perhaps of greater value to artists requiring more specific knowledge than the average student - but don`t be put off – the remainder of the book is helpful, clear and easy to follow.
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