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Barker, Jennifer Lynde - The Aesthetics of Antifascist Film / Radical Projection
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| Schrijver: | Barker, Jennifer Lynde |
| Titel: | The Aesthetics of Antifascist Film / Radical Projection |
| ISBN: | 9780415899154 |
| Uitgever: | Routledge |
| Bijzonderheid: | 2013, 286pp, Gebonden in goede staat |
| Prijs: |
€ 25,00
€ 3,85
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| Meer info | Through a series of detailed film case histories ranging from The Great Dictator to Hiroshima mon amour to The Lives of Others, The Aesthetics of Antifascist Film: Radical Projection explores the genesis and recurrence of antifascist aesthetics as it manifests in the WWII, Cold War and Post-Wall historical periods. Emerging during a critical moment in film history―1930s/1940s Hollywood― cinematic antifascism was representative of the international nature of antifascist alliances, with the amalgam of film styles generated in émigré Hollywood during the WWII period reflecting a dialogue between an urgent political commitment to antifascism and an equally intense commitment to aesthetic complexity. Opposed to a fascist aesthetics based on homogeneity, purity and spectacle, these antifascist films project a radical beauty of distortion, heterogeneity, fragmentation and loss. By juxtaposing documentation and the modernist techniques of surrealism and expressionism, the filmmakers were able to manifest a non-totalizing work of art that still had political impact. Drawing on insights from film and cultural studies, aesthetic and ethical philosophy, and socio-political theory, this book argues that the artistic struggles with political commitment and modernist strategies of representation during the 1930s and 40s resulted in a distinctive, radical aesthetic form that represents an alternate strand of post-modernism. |
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