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Tsujigahana , Itchiku . ( Special issue of Japanese magazine devoted to the fabulous kimono designs of Itchiku Tsujigahana. ) - tsujigahana Kimonos . ( 4 black/white portraits in text, 1 full-page black/white portrait of Itchiku Kubota, concise english preface at page 5, numerous beautiful coloured glossy plates, of which double-page and triple-extending on pp. 5-143 with -

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Afbeelding: Tsujigahana , Itchiku . ( Special issue of Japanese magazine devoted to the fabulous kimono designs of Itchiku Tsujigahana. ) - tsujigahana  Kimonos . ( 4 black/white portraits in text, 1 full-page black/white portrait of Itchiku Kubota, concise english preface at page 5, numerous beautiful coloured glossy plates, of which double-page and triple-extending on pp. 5-143 with -
Schrijver: Tsujigahana , Itchiku . ( Special issue of Japanese magazine devoted to the fabulous kimono designs of Itchiku Tsujigahana. )
Titel: tsujigahana Kimonos . ( 4 black/white portraits in text, 1 full-page black/white portrait of Itchiku Kubota, concise english preface at page 5, numerous beautiful coloured glossy plates, of which double-page and triple-extending on pp. 5-143 with -
ISBN:
Uitgever: Sun .
Bijzonderheid: paperback in zeer nette staat - 4319 - 1990 - 170 p - 1120 gr - 25x31 cm
Prijs: € 60,00
Meer info - captions in japanese script only. [The Sun, special issue]. A lavishly and beautifully designed 'catalogue', feaaturing modern Japanese Kimonos dyed by Itchiku Kubata with a [modern] dye Tsjujigahana as developed by this master of dyeing. Kubota's inspiration has been a type of dye called Tsjujigahana, which was widely used in Japan from the middle of the Muromachi period (1333-1573) until the Momoyama period (1573-1615), but was soon completely replaced by the Yuzen dyes of the Edo period (1615-1668). Tsujigahana was basically an elegant form of Tie-deying, supplemented here and there with handpainted designs and embroidery. Instiead of trying merely to duplicate Tsjujigahana's works, that have been preserved, Itchiku Kubota has developed a modern version of his own, suited to contemporary use. In doing so, he has succeeded by long and patience experimenting in deying modern chemical dyes in many levels-something that was until his time considered impossible. His version of the ancient method, which he calls Itchiku Tsujigahana, has gained wide praise both in Japan and abrroad.
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