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[Erotica]. Domergue, Jean Gabriel (1889-1962). - Les après-midi d'un faune.
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| Schrijver: | [Erotica]. Domergue, Jean Gabriel (1889-1962). |
|---|---|
| Titel: | Les après-midi d'un faune. |
| ISBN: | |
| Uitgever: | |
| Bijzonderheid: | Paris, the artist, 1924, 23 (of 40) original etchings (each 30,3 x 23,6 cm. (leaf)/ 22 x 16 cm. (platemark)) by Jean-Gabriel Domergue, printed on vélin teinté de Rives, privately published in 100 copies (84) numbered by hand, loose as issued in ... |
| Prijs: |
€ 950,00
€ 5,50
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| Meer info | = Not in Pia. Portfolio frayed and strengthened with paper along fold on inside. The etchings in excellent condition.“Produced at the height of his popularity, Domergue’s L’après-midi d’un faune (The Afternoon of a Faun) provides a unique glimpse into his studio and into his erotic imagination. Most will know the title from the composer Claude Debussy’s famous Prélude à l'après-midi d'un faune, but the original inspiration is the Stéphane Mallarmé’s 1876 poem, which describes the sensual experiences of a faun who has just woken up from his afternoon sleep and his encounters with a variety of nymphs. It is Mallarmé's best-known work, and a landmark in the history of symbolism in French literature. Paul Valéry considered it to be the greatest poem in French literature. It is not hard to see why both subject matter and title appealed to Domergue when it came to putting together a portfolio of images of women (and the occasional faun) that he would probably not want most of his clients to know about. Probably created during the long languid summers spent in the Villa Fiesole in Cannes, many of these engravings (and these are among the very few engravings that Domergue created) give us a sense of real women rather than the impossibly slim, long-necked interpretations of most of his paintings. How much this very explicit portfolio tells us about Jean-Gabriel’s personal life, six years into his marriage and sharing a seaside villa with a bevy of beautiful models, is impossible to know, but if drawn from life as most of his etchings clearly are, then he was certainly enjoying being surrounded by such sensual beauty.” (Hans-Jürgen Döpp).Domergue was born in Bordeaux and studied at the École nationale supérieure des Beaux-Arts. In 1911, he was a winner of the Prix de Rome. From the 1920s onward he concentrated on portraits, and claimed to be "the inventor of the pin-up”. He also designed clothes for the couturier Paul Poiret. From 1955 until 1962 he was the curator of the Musée Jacquemart-André, organising exhibitions of the works of Van Gogh, Toulouse-Lautrec, Goya and others. Domergue was appointed a Chevalier of the Legion d’Honneur. |
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