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- Rhythm. Art, Music, Literature Quarterly. Ed Vol.1 (1911-1912), no.1-4; vol.2 (1912-1913), no.5-10, 12-14 (March 1913). Ed. John Middleton Murry and Katherine Mansfield, a.o. - CONTINUED AS: The Blue Review, no.1 (June 1913) - 3 (July 1913). ...
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| Titel: | Rhythm. Art, Music, Literature Quarterly. Ed Vol.1 (1911-1912), no.1-4; vol.2 (1912-1913), no.5-10, 12-14 (March 1913). Ed. John Middleton Murry and Katherine Mansfield, a.o. - CONTINUED AS: The Blue Review, no.1 (June 1913) - 3 (July 1913). ... |
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| Bijzonderheid: | London, St. Catherine Press/ Martin Secker, 1911-1913, 16 (of 17) issues, orignal woodcuts i.a. by S.J. Peploe, Jessie Dismorr, Anne Estelle Rice (incl. her designs for the Russian Ballet (Ballets russes) (in no.14)), Horace Brodsky, Margaret Thom... |
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€ 850,00
€ 5,50
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| Meer info | = Rare near-complete series of this influential but short-lived modernist arts journal which resumed publication under the name The Blue Review in May 1913 and focused primarily on literature, music, art, and theatre. Contributions by i.a. Katherine Mansfield, D.H. Lawrence, Frank Harris, Hugh Walpole, Rupert Brooke, Yone Nuguchi, Walter De la Mare, Anne Estelle Rice, William Denis Browne, Tristan Dereme, Margaret Sackville, Leonide Andreeff, Richard Curle on Joseph Conrad (9 pag.), Gilbert Cannan. Rhythm (briefly known as The Blue Review) was a literary, arts, and critical review magazine published in London, England, from 1911 to 1913. The first issue of Rhythm was a summer 1911 edition. It was a quarterly until after the Spring 1912 issue, when it began to publish monthly. The final issue under the name Rhythm was published in March 1913; in May 1913, the magazine resumed publication under the name The Blue Review. After publishing additional issues in June and July 1913, the magazine then ceased publication. Throughout its history, the magazine was edited by John Middleton Murry, who co-founded it with Michael Sadleir. Katherine Mansfield was the associate editor from June 1912 until the magazine folded. Its title was borrowed from a major painting of a female nude (a drawing of which appears on its front cover) by J.D. Fergusson who became its art editor. According to arts historian Roger Neill: "The aesthetic concept of "rhythm" - harmony in nature, vigour and directness - provided the connective tissue, not only between two Scottish Colourists (Fergusson and Peploe, plus Rice), but also between the writers and artists involved with the magazine." No.1 in second impression; no.2 contains a preliminary prospectus for the Poetry Review; no.14 wrappers torn along spine.; some volumes wrappers partly sunfaded. Th eblue Review, no. lacks frontispiece by Max Beerbeohm |
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