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OVIDIO, (OVIDIUS), - Metamorfosi. Volume IV. (Libri VII-IX). A cura di E.J. Kenney. Testo critico basato sull' edizione oxoniense di R. Tarrant. Traduzione di G. Chiarini.
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| Schrijver: | OVIDIO, (OVIDIUS), |
|---|---|
| Titel: | Metamorfosi. Volume IV. (Libri VII-IX). A cura di E.J. Kenney. Testo critico basato sull' edizione oxoniense di R. Tarrant. Traduzione di G. Chiarini. |
| ISBN: | 9788804604242 |
| Uitgever: | Lorenzo Valla / Arnoldo Mondadori, n.p., 2011. LXXII,484p. Original imitation leather bound with pictorial dust wrappers. Spine gilt titled. With two reading ribbons. |
| Bijzonderheid: | ‘With the fourth volume of this ongoing commentary project, the torch passes from Italy to England, and to E.J. Kenny. Kenney’s style is more soberly traditional that that of his predecessors, and represents a different outlook on what a comme... |
| Prijs: |
€ 75,00
€ 4,50
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| Meer info | to-date literature instead. A general introduction ranges over the whole of the ‘Metamorphoses’, which Kelly calls an epic of the human spirit, embodied in particular in its heroines who outshine their male counterparts. The section on Ovid’s style whets the appetite for the commentary proper, displaying Kenney’s considerable finesse. (…) Kenney’s clarity and helpfulness are exemplary, and he is not above providing grammatical help or translations of individual phrases or explaining such epic conventions as ‘frozen time’ (…). All Greek and many of the Latin parallels are translated as well. (…) The densely learned commentary provides a backdrop of sources at the beginning of each episode and ample discussion of Ovidian and other parallels throughout. Kenny has an incomparable ear for Ovid’s style (…) and is especially strong on etymology, allusion, and usage compared with Virgil. (…) This commentary joins the others in this series as indispensable tools for anyone working on Ovid, and retaining the unique flavour of each contribution enriches the whole. Kenney’s commentary provides sure footing for future interpretations.’ (MARIE LOUISE VON GLINSKI in The Classical Journal, 2012, pp.116-119). |
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